SCORES
Samuel Andreyev's scores are published by Impronta Edition (Mannheim, Germany), with the exception of Night Division:
Iridescent Notation
Kairos Records, 2020
includes Iridescent Notation, À propos du concert de la semaine dernière, Nets Move Slowly, Yet, Le malheur adoucit les pierres, Événements quotidiens and Night Division.
Ukho Ensemble Kyiv; Luigi Gaggero, conductor
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Music with no Edges
Kairos Records, 2018
includes Vérifications, Stopping, Passages, Music with no Edges, Cinq pièces and Strasbourg Quartet.
HANATSUmiroir
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Moving
Klarthe Records / Harmonia Mundi Distribution, 2016
includes La pendule de profil, Moving, A propos du concert de la semaine dernière, Flex I-III, Bern Trio, Midnight Audition and PLP.
Ensemble Proton Bern; Matthias Kuhn, conductor
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The Tubular West
Torpor Vigil Records, Canada, 2013
For more information about this CD, click here
Order from Torpor Vigil Records
Download / stream on Bandcamp or iTunes
Solus / Juan Manuel García-Cano, oboe
DK Records, 2020
includes Locus Solus
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Compositeurs de la Casa de Velázquez
Casa de Velázquez, Spain, 2013
includes Vérifications, Cinq pièces, Piano Piece N° 1 and À propos du concert de la semaine dernière
A very limited number of copies of this CD is still available. If interested, please contact Torpor Vigil.
Umbra Septentrionis / Yoko Hirota, piano
Centrediscs, Canada, 2017
includes Piano Piece N° 1 (Au travers du cerceau).
Copies can be ordered via Centrediscs.
Ghosts of Motion / Richard Haynes, clarinet d’amore
Cubus Records, Switzerland, 2021
includes A Line Alone
order here
BOOKS
The Relativistic Empire
Bookthug, Toronto, 2015
“The Relativistic Empire shows the exquisite in the everyday; the slips of the tongue which sharpens the pencil’s point until it bleeds. Our things-and the names we give them-slide from strange to stranger, from contained to container. Whistling the orchestration of a beautiful ‘teflon ballet,’ Andreyev makes the poem march to clockwork and despair.” — Derek Beaulieu, Calgary’s Poet Laureate
Evidence
Quattro Books, Toronto, 2009
“What to say about this young poet that will make his work sound more interesting than it already is? Any lame explanations I might provide would leave Andreyev’s mystifying sense of balance in ruin. If you have ever wondered how many words a poet might place on the head of a pin before the angles start singing, this is a book for you.”
―Jay MillAr